Felix Jorge

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A man with curly hair and a nose ring stands against a dark blue wall with graffiti. He is wearing a white dress shirt, a patterned tie, and a black leather jacket with white contrast stitching.
A man with curly shoulder-length hair poses against a solid dark brown background. He is wearing a formal black suit with a white shirt and patterned tie, layered under an oversized black leather jacket featuring white stitching. He has several rings on his fingers and an ornamental belt buckle.
A low-angle shot of a man with curly hair looking off to the side while leaning against a dark maroon wall. He is dressed in a white shirt, a black tie, a black suit jacket, and a black leather jacket with visible white stitching.

Felix Jorge

0%

0%

A man with curly hair and a nose ring stands against a dark blue wall with graffiti. He is wearing a white dress shirt, a patterned tie, and a black leather jacket with white contrast stitching.
A man with curly shoulder-length hair poses against a solid dark brown background. He is wearing a formal black suit with a white shirt and patterned tie, layered under an oversized black leather jacket featuring white stitching. He has several rings on his fingers and an ornamental belt buckle.
A low-angle shot of a man with curly hair looking off to the side while leaning against a dark maroon wall. He is dressed in a white shirt, a black tie, a black suit jacket, and a black leather jacket with visible white stitching.
The Vice Hotel

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Black Adam

Film

VAD Art Director

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Overview

As VAD Art Director on Black Adam, I led a team of around eight Unreal Engine set artists in the art department. We built and lit the environments and key imagery with the production designer and DP, and my tech artists ran an in-house multi-user VR scout room so the key creatives could scout out of Burbank several times a week. We iterated each virtual set through a virtual art department (VAD) workflow before passing it to Day for Nite for previs animation.

From there, we delivered virtual storyboards imagery for director Jaume Collet-Serra, production designer Tom Meyer, and VFX supervisor Bill Westenhofer to paint over in concept art, cut into storyboards, or use as direct reference. All assets were then handed to VFX as a starting point for each environment in the film.

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Category

Film

Role

VAD Art Director

Pipeline

Virtual Art Department

Art Direction

Previs

Virtual Scouts

Format

2.39:1

4K

Client

Warner Bros. / New Line

Date

2025