Felix Jorge

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A man with curly hair and a nose ring stands against a dark blue wall with graffiti. He is wearing a white dress shirt, a patterned tie, and a black leather jacket with white contrast stitching.
A man with curly shoulder-length hair poses against a solid dark brown background. He is wearing a formal black suit with a white shirt and patterned tie, layered under an oversized black leather jacket featuring white stitching. He has several rings on his fingers and an ornamental belt buckle.
A low-angle shot of a man with curly hair looking off to the side while leaning against a dark maroon wall. He is dressed in a white shirt, a black tie, a black suit jacket, and a black leather jacket with visible white stitching.

Felix Jorge

0%

0%

A man with curly hair and a nose ring stands against a dark blue wall with graffiti. He is wearing a white dress shirt, a patterned tie, and a black leather jacket with white contrast stitching.
A man with curly shoulder-length hair poses against a solid dark brown background. He is wearing a formal black suit with a white shirt and patterned tie, layered under an oversized black leather jacket featuring white stitching. He has several rings on his fingers and an ornamental belt buckle.
A low-angle shot of a man with curly hair looking off to the side while leaning against a dark maroon wall. He is dressed in a white shirt, a black tie, a black suit jacket, and a black leather jacket with visible white stitching.

VES - Marrying Art & Virtual Production

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Overview

In May 2026 I gave the inaugural VES Oregon Tech Talk, “Marrying Art & Virtual Production,” at Wieden+Kennedy in Portland. To a Laika-heavy room, my point was that real-time tools should serve the art, not the other way around: virtual production isn’t one LED wall, it’s using those tools wherever they help across film, TV, and animation, and most of it never touches a volume.

I walked through three case studies, the Star Wars Virtual Art Department, the reusable “LEGO set” on Why Women Kill, and The Labyrinth, an AI proof of concept with Safari. The Q&A kept circling one idea: the look comes from the artist and the technique, not the engine.

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Project

VES Oregon · Wieden+Kennedy, Portland

Date

2026